Monday, 8 September 2014

Euro2014 Registration Cost Update

With the changes to our program and transportation costs, prices have changed for those that have not registered to date by providing their deposits. If you've registered your price will be that originally quoted.

The prices as of September 8, 2014 are:
a. Cruise, flight and full retreat with an outside cabin: $2725       
b. Cruise, flight and full retreat with an inside cabin: $2525
c. Cruise, flight and Creative Traveller Stream with outside cabin: $2475
d. Cruise, flight, and Creative Traveller Stream with inside cabin: $2325
e. Cruise and flight with an outside cabin: $2225
f.  Cruise and flight with an inside cabin: $2075


We have pricing for those that want to do their own flights:


a. Cruise and conference with an inside room: $1375
b. Cruise and conference with an outside room: $1525
c. Cruise and Creative Traveller Stream with inside room: $1125
d. Cruise and Creative Traveller Stream with outside room: $1275
e. Cruise with an inside room: $875
f. Cruise with an outside room: $1025 

Want to book your own cruise but participate at the retreat?

The costs are $575 for the full conference and $325 for the Creative Traveller Stream. There is an additional cost of $125 per person for spouses or significant others to participate in our special conference dinners if you choose this option.

These prices do not include your on-board gratuities which are charged directly by the boat on your room account. It's $12 per day per person.
Shuttle costs to and from the airport are not included in these costs.
 
All cruise ship pricing assumes double occupancy. If you are travelling as a single, contact us for more details.
 
There will be an additional cost of a one night stay in Rome on November 11, 2014 which will be announced shortly but be under $150 per night (double occupancy) 


Look for our pricing for some unique excursions in the next two weeks for our stops in Olympia, Athens, Ephesus, and Istanbul. Our prices will be better than those offered on the ship for a similar sight-seeing adventure.

Schedule for Euro2014


Workshop Schedule for Euro2014



Day One:

4:00 pm -5:30 pm: Stealing Inspiration Part One

7:30 – 9:00 pm: Travel Writing

Day Two:

6:30 – 7:30 am: Breakfast Morning

8:30 – 10:00 am: Recovering Your Creative Spirit Part One

10:30 am – 12:00 pm: Why You Need an Author's Platform Part One

1:30 pm – 3:00 pm: Why You Need a Writer's Platform Part Two

3:30 – 5:00 pm: Recovering Your Creative Spirit Part Two

7:30 – 9:00 pm: Setting: the Forgotten Ugly Stepsister of Plot and Character

Day Three:

4:00 – 5:30 pm: Stealing Inspiration Part Two

7:30 – 9:00 pm: Meet the Author: An Interview and Reading

Day Four

4:45 – 6:00 pm: The Use of Myth and Legend in Modern Story-telling and Poetry

Guess Who's Coming To Dinner Event (Speciality Restaurant Dining)

Day Five:

7:00 – 9:00 pm: Avoiding Artist's Block: Finding Art in Every Step and Every Breath

Day Six:

6:30 – 7:30 am: Breakfast Morning

8:30 – 11:45 am: A Morning of Inspiration: Free Writing Through Dialogue and Exercise

Evening: free to pursue the sights and nightlife of Istanbul

Day Seven:

6:30 – 7:30 am: Breakfast Morning

7:00 pm – 9:00 pm: Open Mic and Oral Story Telling Event

Day Eight:

8:30 am to 12:00 pm: Who Framed Roger Rabbit or Killed Roger Akroyd? Take Your Pick. The Game's Afoot: A Plotting Workshop

1:30 – 3:00 pm: Total Immersion: Blending Story, Fiction and Facts in a Historical Novel

3:30 – 5:30 pm: The Good, the Bad, and the Ugly: A Workshop on Character Development Part One

7:00 – 9:00 pm: Chapbook and Zine Creation

Day Nine

8:30 am – 12:00 pm: Second Draft Workshop

1:30 – 3:00 pm: The Good, the Bad, and the Ugly: A Workshop on Character Development Part Two

3:30 – 5:00 pm: Stealing Inspiration Part Three

7:30 – 9:00 pm: Open Mic

Day Ten

6:30 – 7:30 am: Breakfast Morning

6:30 pm: Wind-up Dinner and Readings


Program and schedule subject to change.

Update and Workshop Descriptions for Euro2014


Planning for Euro2014 continues to move ahead. Our schedule is complete and we've added a new wrinkle for the artists that might want to join us on our great adventure. It's called The Creative Traveller Stream. Its a selection of workshops that examine many questions that all artists, including writers, face each day as they face the blank page, canvas, slab or other medium. These travellers will meet with the writers of our retreat at various times throughout Euro2014 in a collaborative atmosphere.

Cost for The Creative Traveller Stream is $250. It is included in the full conference for the writers.

Course and Workshop Descriptions

Why You Need an Author Platform and How to Do It

What is the mysterious ‘author platform’ and how can writers build one? These days, a platform is vital for both published and unpublished writers. You may regard platform as shameless self-promotion. If you take the right approach however, platform is more about understanding your audience and yourself than hard-core selling. This class will cover the following topics:

Part I

  • How the Publishing Industry Has Changed
  • Why Platform Matters to Your Agents, Publishers, and Readers
  • Platform Strategy is Audience Strategy
  • Author Website Essentials
  • All About Content Marketing
Part II

  • Social Media Do’s and Don’ts
  • Reaching Out with Email
  • Targeting New Readers vs Loyal Fans
  • Build Relationships with Influencers
  • Exercises to Kick Off Your Platform Strategy
If you’re scared, confused, or just reluctant to get started on platform, this class will put those fears to rest. Building platform takes time and consistent effort. Learn how to make decisions about where to spend your time.

Instructor: Janie Chang launched her website in February 2012 with some very specific goals and not a lot of experience in author platform. Her website is now the hub of her online marketing efforts such as social media and blogging, which she used as the basis for a marketing plan that helped close a deal for her first novel (at least that’s what her agent said).
Janie grew up listening to family stories about ancestors, ghosts, and dragons. Her first historical novel Three Souls has been published by HarperCollins Canada, William Morrow (HarperCollins US) and Fabbri Editori (Italy). She graduated from SFU’s The Writer’s Studio in 2011. In her day job, Janie works in high tech marketing.


Total Immersion: Blending Story, Fiction, and Facts in a Historical Novel

Do you need a university degree in history in order to write historical novels? How can you blend historical facts with fictional people and events in a believable way? Janie Chang, author of the historical novel Three Souls, set in pre-World War II China, discusses the challenges of historical fiction, common mistakes, and tips on how to create a setting that convinces your readers they are living in the world of your novel. This class will cover the following topics:

  • Historical Fiction Genre and Sub-Genres
  • Authentic versus Factual
  • Common Mistakes and Irritations
  • Show Don’t Tell Has Never Mattered More
  • Three Important Things That Define a Time and Place
  • Look for a Story That’s Already There
  • Senses and Sensitivity

Travel Writing

A good travel piece engages the reader in the people and culture through story-telling. Joei Carlton Hossack, well known BC travel writer, will lead you through this interactive two part workshop where you'll learn the tricks of the trade that bring the people and places alive for your reader.

The second part of this workshop will take place during our Second Draft Day as you work on your editing techniques for your travel stories and poetry created througbout the cruise as part of our on-going contests.

Setting: The Forgotten Ugly Stepsister of Plot and Character

Everyone knows that Plot and Character are two pillars of memorable literary works but Setting is giving the leftover morsels of creative development by the writer. Little thought is given to atmosphere, time, and place of the story: the setting.

During this workshop, you'll study techniques that will make your setting vibrant and alive for your reader. Setting can become a character in your story through the effective use of sensory detail and the emotions that are attached to them. You'll examine ways to bring that detail into your work in preparation of your arrival insome exceptional settings. You'll be asked to attempt to work with these techniques while in the port town of Katakalon and report back during your session on Day Six: A Morning of Inspiration: Free Writing Through Dialogue and Exercise.


The Good, the Bad, and the Ugly: A Workshop on Character Development


A villian and hero are opposite sides of the same coin. Within their own mind, each acts for the greater good, theirs or others. Their respective roles in your story is all a matter of perception. Over the course of this workshop, you'll examine:

  • techniques and tools like back story and motivation to help you create fully-rounded, deep antagonists and protagonists
  • ways of developing inner and outer conflict
  • establishing personal stakes for each and increasing the cost of failure
  • making the ordinary character extraordinary
  • methods to humanize the true monsters of your story.

Writers can utilize a character sketch for the protagonist and antagonist or can build new characters based on greek heroes and monsters. If you are utilizing existing characters, please bring an excerpt of your own work with your characters in action.


David Blinkhorn, an award winning fiction writer and poet, is the founding director of the Fraser Valley Writers School and is the Executive Director of the Federation of British Columbia Writers. He is a graduate of SFU's Writers' Studio (2011). 

A Morning of Inspiration: Free Writing Through Dialogue and Exercise

During the morning of Day Six, you'll check in regarding your writing as well as the exercises and opportunities for growth as an artist that have been offered to date. You'll continue the discussion about harnessing your creativity and imagination and be offered additonal work in the area of senses, specificity, and concrete writing

Who Framed Roger Rabbit or Killed Roger Ackroyd? Take Your Pick. The Game's Afoot: A Plotting Workshop

Something happens. A questions arises that alters the world of your protagonist and places her in conflict with other characters populating your storyscape. A series of logically related events unfold that move your heroine towards a conclusion of the conflict and an answer of sorts to the questions that propelled her along the narrative trail. In a nutshell, that's plot, one of the three cornerstones of an engaging literary work.

During your second full day at sea, you'll examine effective techniques that create a story that keeps your reader turning the pages. Topics for discussion while you workshop your story idea and plot outline include:
 
 
 
 
 
 
 
 
 
  1. story structure and the components that keep your reader interested
  2. story and scene generation
  3. effective use of backstory in the plotting process
  4. raising the stakes through setbacks and complications
  5. creation of tension and suspense through dialogue, action, exposition, and subtext
  6. low tension fixes
  7. inner and outer turning points for your protagonist and antagonist
  8. techniques for plot layering
  9. effective use of subplots
For workshopping throughout the day, writers will have the choice to work with one of their story ideas or plot out a modern retelling of a fairy tale or Greek myth in keeping with the local and the holiday atmosphere of the trip. Materials for selected fairy tales or Greek myths will be provided in your conference materials.
 
 
 

 
 
 

Second Draft: A Workshop in Re-Visioning Your Work


Michelangelo believed that there was a statute, a work of art, waiting to emerge within every slab of marble cut and removed from the quarry,. As a writer, consider yourself a sculptor of words. You've finished that first draft. What have you got? The slab of marble from the quarry. Now, the true work of writing begins. You need to find that true story, your art and release it to the world from the confines of the first draft. It is time for the revision of your work. You need to go deeper towards the compelling meaning of your work, towards the art to be released and discovered through re-visioning the work.

Second Draft is a series of workshops and presentations that focus on techniques to help you find your true story. Over the course of the day, topics discussed will be:

basic techniques utilized in the revision process

character driven versus plot driven work

revising character driven beginnings, narration, scenes and suspense

revising through movement, pace, time and place

During this workshop, writers will revise an existing work or writing created on the cruise as part of your retreat experience.

The workshop concludes with an overview of one author's journey from first draft to published book.

Course Descriptions for Workshops in the Creative Traveller Stream:

Stealing Inspiration: Collecting Sensory Experiences From Your Surroundings

We are designed, wired to be stimulated by our senses in a direct, rich and intense fashion. But in today's world as we've strived to control the environments in which we live, a disconnection from our senses has occurred. We work in AC controlled buildings, eat packaged food, and experience life through the lens of our television screens. In many ways, we have dehumanized ourselves through the technology we have created to make our lives “easier.”

Our tasks as artists is to remind our audience what it is to be human. Through all the tools in our arsenal, we seek to explore and re-create the experience of being alive. We are in a position to give the audience back the sensual world; something he craves, the sights, sounds, smells, textures and tastes of the physical reality of life.

But first we, as artists, need to reconnect ourselves to a life of senses. In this three part workshop, you'll:

  • understand the role that each of the senses plays in an engaging piece of writing or other work of art
  • examine techniques for bringing senses into your work as proofs of the world you've created for your audience
  • learn how to catalogue your sensory experiences for later use in your projects
You'll receive a blank sketch book at the beginning of the workshop where you will draw, write, and collect sensory memories from your time in this wonderful adventure.

At the site of Ancient Olympia, you'll take 45 minutes for a solo walk around gathering opportunities for creation as you free write, sketch, and take in the sensory experience that is this magical site. There will be a check in about your experiences on your return to the ship that afternoon.

During the final stage of this workshop near the conclusion of our trip you will examine your collection of moments, reflections and insights and discover techniques that will aid you to mine your memory journals for months and years following this journey.

Renewing Your Creative Spirit: Turning the Soil of Your Fertile Imagination

In this three hour workshop, you will examine ways to emerge out from the walls of your creative box so that you can engage opportunity for creation in everything you encounter. You will look at techniques to turn off that inner critic and free yourself to pursue the fancies of your creative mind.

This workshop will be part discussion, part exercise, writing and other forms of artistic expression as you work with other mediums other than pen and paper.

The only prerequisite for this workshop is an open mind to experiment with new ideas and concepts and a willingness to work outside your creative box in a non-judgmental atmosphere. 


Avoiding Artist's Block: Finding Art in Every Step and Every Breath

We all live the artist's life whether it's 24/7 or for two or three hours a week. It is who we are. In this interactive workshop, you'll examine ways to retain a healthy sense of identity, power, strength and possibility in your work as you face the challenges of everyday life. Through discussion and exercises, you'll discover methods that bring the most creative you to those precious hours where you practice being your true authentic artist self.
 

Chapbook and Zine Creation

In this hands-on workshop, you'll learn different artistic but cost efficient ways to make beautiful handmade books, chapbooks and zines that get your art into the hands of your audience. You'll look at various materials available to create a true artist's book. You'll examine some basic cover design ideas and techniques as well as other avenues to bring your artistry to each page.

Each participant will have the opportunity to create their own zine and small chapbook. Some limited basic sewing and cutting will be required. A range of media will be available for you to create your vision.

Breakfast Mornings:

On the mornings of Day 2, 6, 7, and 10, you'll have the option of meeting in the main dining room for breakfast and a discussion of the materials provided to you in your retreat binder on the topics of Dialogue (day 2), Point of View (days 6 and 7), and The Mystery of Creation (day 10).

These discussions are optional and will run from 6:30 am to 7:30 am on the days outlined.

Program Subject to Change

Saturday, 14 June 2014

Euro2014: An Adventure in Writing


Thinking about Euro2014?

I thought I'd share a typical experience on this ten day cruise and writing conference retreat. I've been on this cruise twice now so that I could learn the ins and outs on this extraordinary itinerary so that each of you will get the most from your cruise and conference experience.

Your writing adventure starts with your flight from Vancouver about mid-day on November 11, 2014. We'll land in Rome in 16 hours later depending on the actual flight booked. The flight won't be direct from Vancouver. There'll be a short lay-over in either Toronto, Amsterdam, or Paris. In Rome, with our luggage in tow, we'll take a shuttle to the port town of Civitavecchia where we will board the Norwegian Jade. After checking out your room and beginning to enjoy the jade's hospitality, you'll attend our wine and cheese reception and registration in the late afternoon where you will pick-up your conference swag and materials. There will be an activity for conference attendees and their travelling companions so that everyone can get to know each other and the ship. After dinner, we'll have our first presentation on Travel Writing and the writing contests for the trip will be outlined.

Day 2 finds us at sea and it's the perfect time to bring our workshop and conference into full gear. The first full day of the conference deals with the theme of The Business of Writing. Presentations on this important topic from the likes of 2014 BC Book Prize nominee for fiction, Janie Chang, Jill Marr, agent from the Dijkstra Literary Agency, and Joei Carlton Hossack who you met the previous night at the presentation on travel writing. For those interested exclusively on presentations on the craft of writing, we'll have small group presentations throughout the day dealing with specific and concrete writing which will be informative and helpful for all writers: poets, fiction, or creative non-fiction. In the evening, there will be a presentation on the uses of your senses to help jump-start your writing; a perfect lead-in to some free write time in our first stop, Ancient Olympia, the birth place of the Olympic Games.



The Calm of Ancient Olympia
The next day starts with a 40 minute taxi ride from the quaint port town of Katakolon, Greece to the site of the ancient Olympics and the modern town of Olympia. There are many options available to you on Day 3 and our other port stops but I'm giving you a big spoiler alert here specific to this port: Come along with the visit that the conference will arrange for you or do it yourself. But be one of the first people off that ship and get to the site of Olympia as fast as you can. You'll have forty-five minutes or so before the hordes of tourists arrive and that time alone with your writing buddies and families will be magical. There is something eerie and mysterious about being on this site, a place where one of the Ancient Wonders of the World once stood, walking the grounds where names in our history books once spent time and that experience is heightened by getting their before the crowds. Nero whispers on the breeze. The crowd roars as you emerge from the tunnel into the stadium. Magic. But it all starts with getting off that boat fast and into the waiting cabs at the end of the pier.




Once you are at the site, you'll do the ruins first and then meander over to the museum close to the grounds. Our conference’s tour will spend about two to two and a half hours here and then we'll return to Katakolon. Once back, I recommend that you take the time to look through their two streets at the various shops and then either lunch back on the ship or take in the sights of the dock and shoreline where you can get some Greek coffee or some of those fantastic desserts. There is an internet cafe for those that want to catch up back home. You must venture into the Olive wood shop and the art studio that specializes in bronze.
The Beauty of Katakolon in Mid-afternoon
There are some wonderful purchases to be made in this small port town. Sitting port side, lounging with coffee and a treat as you stare into the rich blue of the Aegean Sea is a memory you'll hold dear.



Don't forget to check out the different Olympic torches throughout the shops of Katakolon. The owners are proud of their role in the Olympic tradition and will allow you to get your pictures with them. Here's my daughter, Hannah with the torch from Vancouver 2010.


The cruise ship departs early from this port so we will be featuring an afternoon workshop from 4:00 to 5:30 on Use of Setting After we've dined for the night, our first Meet the Author event will be offered from 7:00 pm to 9:15 pm. The format of the event is an in-depth interview about the author, their process and their writing life interspersed with readings from that writer's recent works. If there is time we will have a condensed open mic for our attendees to highlight some of their own work. It all ends in plenty of time for you to get to the theatre for the evening's 9:30 pm performance. All our evening events are timed so that you won't miss any of the wonderful shipboard entertainment, an important aspect of the cruising experience.

Athens, home of the Acropolis and the enthralling New Acropolis Museum should be part your destination of choice for your Day 4 sight-seeing. The sight-seeing at this port starts and ends early
The Greek Army on Patrol at the Acropolis
we arrive in Athens for a 7:00 am disembarkation. Again, we'll offer to arrange your sight-seeing day for you or perhaps you'd like to do it on your own. But make sure you visit the Plako district to souvenir shop, have an amazing Greek lunch, visit the Temple of Olympian Zeus with its colossal over-turned columns, and stop for a quick photo op at the first modern Olympic Stadium before returning to the cruise ship for our departure. For those of you that have seen the Acropolis before, I can suggest the Temple of Poseidon up the coast a bit as another interesting choice.



Once your sight-seeing is done, there will be an optional craft presentation from 4:45 – 5:45 pm on Point of View. The evening dinner will be at a speciality restaurant at an event I call Guess Who's Coming to Dinner. Each table will be hosted by one of our authors and faculty members. After the dinner, we'll have an open mic event where you can share your work with other attendees if you'd like.



Day 5 is the land of Cleopatra and Marc Anthony, the Virgin Mary, the disciple, John and perhaps
the best preserved ruins from that ancient period, the site of Ephesus. You'll take a 45 minute cab ride
Ephesus
to the area surrounding Selcuk where you'll see Ephesus, the House of Mary, St John's Castle, the ruins of Artemis, the second Original Wonders of the World that you'll see on this cruise ,and the museum in Selcuk. We've arranged for Greg Boorman, a historical fiction writer, Director and
Treasurer with the Federation of BC Writers, and expert on Ephesus and Istanbul to give us a tour of these various sites. Again, you do have the option of doing it alone or through the cruise line. But I do want to stress at this point that a lot of the travel is by cab and the cab will cost approximately 110 Euros for the entire day in Izmir and the Ephesus area. Our plans have us returning via the beautiful Turkish coast and sampling some oranges and pomegranates that are in season while we visit this area.
House of Mary



The day will conclude with an optional presentation from 7:30 -9:00 pm on Book/ Chapbook Design and Creation including the steps of how to make your own wonderful hand-made books. Perhaps you might want to pick up some uniquely Euro2014 paper and materials to make your book a hand-made memory.



On the morning of Day 6, there will be two alternate streams of workshops from 8:30 pm – 12:00 pm. As we head towards Istanbul One stream will be poetry based and the other will deal with character development. The materials from both will be in your manual so you don't need to worry about missing one over another. You'll be required to register in one or the other after you've registered for the trip and conference.
 
 



We arrive in Istanbul at 1:00 pm. Greg Boorman will offer a two day tour of the highlights of Istanbul that you can purchase each day separately or together. If you are doing Istanbul on your own, make sure you speak to me about a few tricks you need to know ahead of time. Our tour is divided into two parts. Day one will see you spend time at the Topaki Palace, a palace and harem turned into a museum and the Spice Bazaar.
Spice Bazaar
Day one ends at the Spice Bazaar where you'll find the pier for our ship a short walk across the Galata Bridge loaded with fisherman plying their trade
. The tour ends this way so that you can have the choice of continuing to explore Istanbul at night or returning to the ship for dinner and the evening. I'll have all sorts of ideas for you if you want to examine Istanbul by night. Just ask.



The Blue Mosque
The next day in Istanbul is heavy with many of the key sites in the Sultanhmet area and the Bazaar Quarter: Haghia Sophia, Basilica Cistern, Blue Mosque, the Hippodrome and the its various columns, Suleymaniye Mosque, Grand Bazaar, and the Museum of Calligraphy. Make sure you purchase your Turkish Coffee, Apple Tea, and Turkish Delight before you return to the ship for its departure. There are several well-known and reputable shops near the cruise terminal. In the evening, the second Meet the Author takes place from 7:30 pm to 9:15 pm.



Day 8 and 9 are the two remaining days of our conference. You'll have the opportunity to meet with agents and publishers for one on one time during these days. Make your pitch. A dream vacation could lead to fulfilling your writing dream. One on one editing sessions with our instructors will be available to you as well. The theme of Day 8 is Everything Plotting and our final day of the conference is entitled Second Draft where conference registrants will work on issue surrounding self editing and

re-visioning their work once that first draft is completed. On the evening of Day 8, we'll hold our Euro2014 Writers' Idol with all sorts of fun, prizes and surprises. There will be a wind-up dinner in one of the speciality restaurants during the evening of Day 9 followed by an open mic which focuses on writing that you completed during the conference including for our various writing contests held throughout the cruise.



Pompeii
With the formal part of the conference completed, Day 10 brings you to Naples, the birth place of pizza. It's free time to do as you like. Perhaps visit Naples's famed tunnels or visit the world famous ruins of Pompeii as Vesuvius looks on as the ancient sentinel. Pompeii is a simple quick train ride away.

After saying your good-byes and packing up the previous evening, you'll disembark on the morning of Day 11 and take the shuttle back to Rome airport for your return to Canada.


Sounds incredible, I know but you probably have a few questions.



Any other classes and presentations you haven't mentioned?

Yes, other than days 1 and 10, there will be an optional breakfast and coffee meeting from 6:30 – 7:30 am for those who want to meet in the main dining room for an informal discussion about some aspect of craft or the writing business.

What will my family do while I'm busy at the conference on Day 2, 8, and 9?

While there are plenty of things to keep your travelling companions busy on the cruise ship, we will have some fun events for the non-writers attending with you on the trip while you're busy honing your craft. I'll be arranging some in-house gambling tournaments, some cribbage and card tournaments as well some athletic pursuits on interest. Of course, the cruise ship has services for children and teens and I'll leave that to them. I'm talking about your adult travelling companions.

Of course, your travelling companions can participate in our nightly events as part of registering with our group on this trip.

I've heard about tipping on board. Is it included in your price schedules? What about shuttle costs to and from the airport?

No, the cruise and conference prices do not include your gratuities which are charged directly by the boat on your room account. It's $12 per day per person.

Shuttle costs to and from the airport are not included in these costs as well.

What about all those ship activities? Will I have time to do any of them?

Everything in the conference is optional. You decide what you want to do. This is a workshop holiday so don't get stressed out by trying to do everything. Our workshops have been scheduled to give you a degree of flexibility and allow you to participate in events like the evening's entertainment, the art auction or gambling in the casino.

What happens if I want to stay in Italy longer?

I'm happy to give you some ideas of some great places to see in Rome and some ideas of where I stayed when I was there. I've revised the pricing system to include an option where you're free to book your own flight. Any flights that I book for our attendees and their travelling companions will reflect flights to and from Rome such that there will be no extra nights' stays before and after our trip

What is the pricing?

There are several different options:

a. Cruise, flight and conference with an outside cabin: $2600
b. Cruise, flight and conference with an inside cabin: $2450
c. Cruise and flight with an outside cabin: $2100
d. Cruise, flight with an inside cabin: $1950

Unfortunately since the time that our original pricing was announced, fuel charges have sky-rocketed resulting in flights increasing by $200 across the board. It is important that registrants understand that there are no margins on the cost of the cruise and flights. These would be your costs if you booked the trip yourself.

We have pricing for those that want to do their own flights:

a. Cruise and conference with an inside room: $1250
b. Cruise and conference with an outside room: $1400
c. Cruise with an inside room: $750
d. Cruise with an outside room: $900


Once you've registered, I will forward to you a payment schedule particular to your choice.

Any payments made will be held in trust in a dual signature back account until such time as the funds are required to be paid over to the airline service provider or the cruise line to secure the bookings of our travellers and the cost of our presenters.


Sounds like a huge undertaking. What about changes to the program?

Yes, there is a lot of details that need to be finalized and some change after thinking that's been decided. I can tell you that the program and presenters are subject to change but the program will be firmed up by July 10 and you'll be advised of any significant changes. Should a presenter cancel, we will do our best to arrange a like presenter of similar quality. Sometimes things come up for our instructors and they need to drop out of this unique opportunity.



What about the cost of your excursions in the various ports?



Once a person register for the cruise with or without the conference, I will advise you of your tour options again and the costs so that you can make a decision about how you want to approach your days in port. What I can tell you at this point is that our prices will be significantly less than that for a similar excursion through the cruise line.



Who is the organizer, Fraser Valley Writing School and its founding director, David Blinkhorn?



David Blinkhorn is an award winning poet and fiction writer who completed Simon Fraser University's Writers' Studio in 2011. Seeing a need for a community writing school, he created the Fraser Valley Writers School in January, 2012. It specializes in providing education and guidance to beginner, emerging and intermediate writers. Many of its participants have work published that was created during one of David's or another instructor's classes.



David is remains the school's sole director and is presently the Executive Director of the Federation of British Columbia Writers where he has brought unique programming and change to their policies which has resulted in a doubling of the membership since he took over that position. He is regarded as a skilled and supportive instructor by his students of the school and the members of FBCW. Education of writers is his passion when he isn't working on his poetry, mysteries, and fantasy works.


Thursday, 6 March 2014

Euro2014: A Writing Retreat and Conference

Euro2014
A Writing Retreat and Conference

November 12 to 22, 2014

Euro2014, a writers’ conference and retreat, provides you with a window of freedom to rediscover your creativity or harness its reins to bring that once in a lifetime story to fruition. Join us for a 10 day writing adventure aboard the Norwegian Jade where you’ll be enthused and encouraged by the sights, sounds, tastes, smells, and feel of the great cities of antiquity: Rome, Olympia, Athens, Ephesus (Izmir), Istanbul, and Pompeii (Naples). Give yourself the gift to try new ideas, to take chances, to fail harder and to succeed higher in the pursuit of your artistic endeavours. You’ll find new ways of expanding your writing repertoire in directions you’ve never imagined in a safe, trusting environment of established writers and faculty.

Each day, you’ll spend time in group and individual activities geared towards releasing and opening up pathways to improved creativity and imagination to vibrant ideas and game-changing opportunities. Work with supportive writers through lecture, discussion, and workshops to overcome problems with plot, character and story development. Find exciting ways to express the written word.

The cruise conference/retreat includes over thirty hours of instruction, face time with a professional editor and literary agent for blue penciling or to pitch your latest work, a welcome wine and cheese, two dinners at speciality restaurants aboard the Norwegian Jade, one hosted by one of our superb presenters or faculty, the other, a wind-up dinner on our final night after leaving Pompeii (Naples). For you early risers, catch the sunrise over the Mediterranean Sea while discussing over coffee some craft related issue with David Blinkhorn, an award winning writer and poet, director and founder of the host school of this conference, the Fraser Valley Writers’ School.

Our main conference occurs on the four days while we are at sea but there are events and talks each day. Each conference day will have a theme: The Business of Writing, Memoir Morning, The Game’s Afoot: Plotting Your Way to a Great Story, and Second Draft. If something on those days doesn’t catch your interest, there will be an alternate stream of presentations and workshops on different aspects of craft. Topics will range from Point of View, Aids in Creativity, Productivity in Writing, The Good, The Bad, and The Ugly: A Workshop in Character Development to name a few. One day will be devoted to topics of interest to the self-publisher including e-book creation, marketing, and self-promotion. It is a retreat/conference where everyone will find something of interest.

Writing contests? Yes, there’ll be plenty with some great prizes relevant to the cruise and the cities we are visiting.

Canadian Writers’ Idol: One evening will be devoted to the critique of query letters and opening chapters. The twist? Our judges will be famous historical characters from our ports of call. Socrates is very logical but that Cleopatra, well, she can be quite a… You get the idea.

We’ve arranged for our own private tours at Ephesus and Istanbul that will be at least fifty percent less than the cost if you book the same excursion off the boat. We are working at expanding those offerings to a morning trip in Olympia and a day in Athens. Whether you take advantage of one of our tours or choose to go a different route, you’ll have access to people, who have experience in these ports so that you can get some ideas how to best attack your day in each stop.

Additional Blue pencil sessions and consults with our editors will be available for additional cost.

Euro2014 is the one writing event you don’t want to miss this year. Flight and cruise are $1750 for an inside cabin and $1900 for an outside cabin with a window or porthole. All prices are based on double occupancy. The cost for the writer in your group for the conference is $500. Admission to the evening’s events, the specialty restaurants, and welcome wine and cheese for spouses and significant others are included in the price of the cruise and flight. Gratuities on the ship are not included and are estimated to be $12 per day per person.  

Each day we are adding proven, established writers to our list of presenters including Janie Chang, the break-out author of Three Souls and social media darling, Sylvia Taylor, memoirist author of The Fisher Queen and editor extraordinaire, and well-known travel writer, Joei Carlton Hossack and everyone’s favourite literary agent, Jill Marr with the Dijkstra Agency to name a few of the great line-up of instructors that are coming to this event. A final program is expected by late March, 2014.


If you are interested in attending this event, email The Fraser Valley Writers’ School for information about deposit and payment schedule and the additional costs of excursions and editor/agent consultations. Email address: fvwschool@gmail.com (Program and presenters subject to change)